Canon EOS lens 10-22mm or 17-40mm for vacation purposes? The Canon Rebel XTi has a lens multiplication factor of 1.6x -- meaning every lens must be multiplied using that factor to get their true focal length with that camera. Canon's 10—22mm on the Rebel is the equivalent of a 16—35mm lens on a full frame camera. Their 17—40mm has the equivalent of a 27—64mm. Portrait lenses are generally anything longer then what is considered "normal," which is between 43 and 50mm for a full frame 35mm camera. The actual focal length would be 43.3mm. Therefore, a 50mm lens is only, in theory, the very minimal for a portrait lens. Portrait lens need to be used properly to best show a persons face, and the shorter the lens the fatter the face while the longer lenses thin faces. Also, the physical distance between camera and subject for a portrait with a 50mm lens is too close making the nose appear larger and the ears smaller. This is even more pronounced using wider lenses. Generally, portrait lenses range between 60mm and 180mm, and used wide open at their largest aperture setting which gives a very limited depth-of-focus -- as oppose to depth-of-field which only comes into play as the lens is stopped down to smaller aperture openings like ƒ8, ƒ11, ƒ16, and ƒ22. At those aperture you are dealing with depth-of-field -- not focus. Last, the workhorse fixed focal length lens for most, if not all, photojournalist was either a 28 or 35mm. The reason is because an image from those lenses printed on an 8x10 full image print looked normal, but anything wider took on a strange look. A 28 or 35mm lens sees what you see with both eyes open. The Canon EF 17—40mm ƒ4.0 is your best choice; however, their 16—35mm ƒ2.8L II is much better -- except for the price. If you an afford any of Canon's "L" series lenses -- they are worth the price, especially the fast "L" series. You "do" need a zoom lens, a good zoom lens, as long as it was manufactured by a prime lens manufacturer. The "heart" of every camera is the lens. |